I personally believe that movies not only tell stories through images, but also rely on the artistic design and presentation of images to allow the audience to experience the beauty of visual art and form an understanding of emotions, morality, justice, and other content. Looking at the domestic film industry, the director who has pushed visual aesthetics to a new level is undoubtedly the leading figure in Hong Kong commercial films - the ghostly director Tsui Hark, known as the "Xu Lao Guai". Since the first movie "Butterfly Change" in 1979, whether it's a martial arts film, a police and bandit film, a kung fu film, or a recent 3D special effects film, Tsui Hark has always been able to present highly artistic and artistic images to the audience through personalized design of spatial shapes, color composition, and action effects in the film, not only allowing the audience to savor the visual feast in a variety of colorful and impactful scenes, Bringing a new aesthetic significance to action movies . Based on this, this article provides a thorough analysis of Tsui Hark's films and their visual aesthetic characteristics, aiming to provide useful insights for exploring the artistic connotations and characteristics of Tsui Hark's films. 1、 Expanding the Visual Space of the Film with Scene Wonders As a visual art, space modeling is the most basic and primary form of "infection" in movies. The transformation of visual space can connect the movie scenes and highlight the visual effect of the movie. As a talented director with the most spatial sense in the field of Chinese language films, Tsui Hark perfectly combines various scenes and wonders in his films, presenting a virtual and real combination of artistic conception to the audience, allowing them to experience different visual spatial images, thus forming a further understanding of the narrative theme of the film. 2、 Creating the Artistic Conception of the Film through Color Matching The film screen is mainly composed of color shapes, which can bring different artistic conception and atmosphere to the film, as well as different visual and psychological feelings to the audience. As a quirky director, Tsui Hark stands out in the use and variation of color design, creating a highly impactful visual spectacle for the audience. 3、 Showcasing visual aesthetic style through actions As a representative character of action and martial arts film directors, Tsui Hark, in his films, on the one hand, through the processing, deification, and beautification of martial arts movements, makes the movements themselves more elegant and clear, while also possessing a strong sense of rhythm and visual beauty, speed, and rhythm; On the other hand, Tsui Hark also incorporated creative techniques such as computer special effects and montages into the film, forming a new visual aesthetic style that blends tradition and modernity. Chicago P.D. Season 10 Chicago P.D. Season 9 Peaky Blinders Season 6 Perry Mason Season 2 Chicago Med Season 7 In terms of action design, Tsui Hark did not follow the performance style of the early Hong Kong action film "Fist to Meat", but instead combined more visually pleasing forms such as dance and opera with martial arts movements. For example, in "Wong Fei-hung's Lion King", Tsui Hark combines lion dance with film action, while in the film "Full of Gold and Jade", Tsui Hark combines the cooking skills of folk chefs with martial arts, and uses the chef's flexible and agile knife skills and skills to make the film show a visual impact. At the same time, Tsui Hark also adds more mythological elements to the action effect, such as allowing Asia the Invincible to fly in the wind and transmit sound from thousands of miles, bringing greater sensory shock and aesthetic charm to the film audience.